Check it out! Number and 1 and number 2 of my nanoSEWmo projects!

The pattern for this baby quilt and pillow is a Wonky Rail Fence, using the Stack-and-Whack method. The backing material is a solid light blue that I had on hand.  I also used a white/blue ombre rayon thread for quilting.  It adds some extra sparkle to the quilt, I think. The pillow has a simple ruffle around the edge and an envelope style back.

To be honest, I’ve had this quilt top on hand for a while waiting for the right time, the right baby and the right skill set. My free motion skills are definitely improving.  It’s tough to keep your loop-de-loops even, let me tell you. But it is so worth the effort. The look on the Mommy-to-be’s face made it so.

Congratulations Diana, Stephen & your little Rock Star Monkey! I can’t wait to meet him.

The blocks have been randomly pieced around each monster patch – there will be enough for 2 baby quilts when I’m done.  This kind of piecing goes quickly until the end when you start measuring & trimming.  For me, it also produces a lot of waste, there are lots of little edges that need to be trimmed and they pile up.  Still, I love the look.

I wanted to make a tie for Caleb for the wedding and then I thought to myself, why not make one for Bill as well? I’ve had this nifty Alexander Henry dragon print lying around for ages, and I thought it would make a nice tie. I like the scalloped design in the background.

I already reviewed the Burda Osman Tie pattern I used for Bill’s tie in my post Holiday Gifts: Necktie.  I went ahead and left out the tie interfacing/interlining as I did in the last version, again this was quilter’s cotton, though not as heavy as the pirate ship cotton from the last post.  Bill commented that he really liked the way the tie tapered a little in the middle, it made tying it easy and made a nice looking knot.  All in all, the tie took me about an hour to make. Easy Peesy Lemon Squeezy.

Caleb’s tie was even simpler.  For his, I used the Ottobre Designs Boys Tie Pattern. Once again, take the time to copy it out nicely onto pattern paper – you’ll thank yourself later.  Note that Ottobre Designs does NOT include seam allowances, you will have to add your own (don’t forget!), depending on what you’re most comfortable with. I added just a quarter inch, standard quilting seam allowance.  The toughest part of this pattern is turning the whole tie tube inside out after you’re done  sewing. I don’t know why I have such a hard time turning tubes. I have any manner of tools to help me with this task and they never seem to work right. I always end up picking the tube out with a pin! At any rate, that is really, really the toughest part.  I promise. If you have a little boy, I encourage you to make this tie!  The tail end sticks out because Caleb kept “adjusting” it. In truth, I think he liked it that way. The tail is a little short to put inside a keeper, I might lengthen the pattern next time so the tie will be long enough for a keeper. 

Burda Osman Tie Pattern: ♥ ♥ ♥ ♥ ♥ out of 5. Easy, free and yeilds professional results.

Ottobre Designs Boys Tie Pattern: ♥ ♥ ♥ ♥ out of 5. So easy and free as well, but it needs to be a couple inches longer.

Isn’t he a cutie pie? Yes, I’m biased.

PS. Yet another To-Do-list project down!

I went through my patterns, of which there are many.  I pulled out a few for each of us to choose from and showed them to Bill & Caleb.  Caleb pointed at McCall’s 5500 and announced that he wanted to be, “A knight!”.  I showed the pattern to Bill and noted that I had it in both Caleb AND Bill size.  With some further probing, Caleb decreed that he would be a knight, like Captain America, with a sword and a shield.  Notice I said “probing” not “prompting”.  He came up with that all on his own.

We packed up and headed to the fabric store and picked out some royal blue cotton poplin for the tabard, blue, red & white felt for the design, white rayon for the sleeves and, my favorite and the most expensive, royal blue corduroy with red and white embroidered stars for the pants.  When I showed Caleb the corduroy he exclaimed, “That’s just like my Captain America!” Bill had decided to be be Captain America Knight’s nemesis, Red Skull Knight, in an army fatigue green ultasuede tabard with a red skull in felt.  And just because I’m a follower, and I loved the blue corduroy, I will have a red on red stripe cotton/poly blend upholstry dress with a bodice made from the royal blue (with embroidered stars) corduroy.  No official superheroine title, but we have a little time to figure that out.

Speaking of “figuring it out”, anyone have a clever title for my little Captain America Knight? Captain New World doesn’t have that special ring to it.  

Doesn’t he make an adorable fashion model? OK, I know, he’s my son, so of course I think he is cute.

This pattern went together like a dream. It is so rare that commercial pattern pieces fit together so perfectly. All of the markers lined up and the seams matched and the points turned; wonderful.  It yeilded very clean, professional, and of course, adorable results.  Because it was such a busy print, I didn’t feel it was necessary to line up the print in the front or on the pockets – I don’t think it made a difference in the end results.  I used snaps on the pockets and shirt fronts – I’m having some trouble with the buttonholer on my sewing machine and the snaps were an easy fix until I have time to get the machine serviced.  I think in the end they added a nice touch, too.

On the downside…the lap instructions were a bit over-complicated, as were the instructions for adding flaps to the pockets (making sure the two snap halves were lined up for the pokets was quite a pain).  The sizing seems way off.  The shirt looks a little small, no?  Caleb takes a 3T/4T in most clothing now, sometimes even a 2T still (40lbs, 40″).  I would say this shirt is a 2T, not a 4, which is the size I made.  Already, he can’t snap that top snap (not that you would on a bowling-style shirt anyway).  It’s a little disappointing, after having spent so much time on the shirt, that he will only be able to wear it for a short time.  On the other hand, I like the pattern enough, I am going to see if I can get it in a larger size. 

So, in conclusion, excellent pattern, but watch the sizing on this one.

[EDIT 7/14/2010: Added my review to Pattern Review right here.]

Finally, something new and totally without strings attached! It’s not often that I have time to make something purely for the joy of making it. A while back (well over a year), I took a class at our local fabric store, G-street Fabrics, in something I’d been wanting to learn about for a long time: Kaleidoscope quilts.  Most quilt designs I can look at and deconstruct and understand basically how it was done.  But there are tricks to creating a kaleidoscope design that I just did not know.  I was lucky enough to take a class taught by a master of this type of quilt design, Nancy Fève. 

I started on a quilt during the class with this wild Asian style crysanthymums print and it’s still not done.  I think it intimidates me a little because it is SO LARGE.  So I decided to start on a smaller one.  I’ve been buying fabrics for this type of quilt since taking the class and I have quite the stockpile.  You need at least 8 repeats of the pattern on the fabric and that can add up to a lot of yardage!  I decided to start with a smaller, closer print of robins and cherry blossoms on a light blue background.  I got several octagons put together between yesterday and today and I am pleased to report that I remember most of the tricks.

The smaller, closer print gives you instant impact as opposed to the Asian design I was originally working with.  In the larger print with a 24 inch repeat the variation happens a lot more slowy – it will give you amazing impact when the whole (very large) quilt is done, but until then, you’re sort of left in the dark (be sure the check out Nancy’s quilts in the link above to see what I’m talking about).  The smaller print I’m working with now and smaller octogons I’m creating provide instant impact and are much more suited to me and my sewing style. 

I think this one will make a perfect large throw pillow for a couch or a bed once I have it all put together!

Be sure to bring a quilt.

So I have these two friends.  And they are good friends.  And for the last couple years they’ve been living in Frankfurt, Germany.  I missed them. A lot. Last May, I guess it was, we got a call from Frankfurt that they were finally going to get married!  Hip, hip hooray! 

In September, they returned stateside for a short stint and began planning.  May would be the date, California would be the place; in a lavendar field not far from Davis.   My husband and I were asked to do a reading:

i carry your heart with me
by e. e. cummings

i carry your heart with me(i carry it in

my heart)i am never without it(anywhere

i go you go,my dear;and whatever is done

by only me is your doing,my darling)

                                                      i fear

no fate(for you are my fate,my sweet)i want

no world(for beautiful you are my world,my true)

and it’s you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

(here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life;which grows

higher than soul can hope or mind can hide)

and this is the wonder that’s keeping the stars apart

i carry your heart(i carry it in my heart)

Fast forward now to January when the bride requested that I make not one, not two, but THREE quilts for the wedding ceremony.  What could I do but oblige?  I mean, these are goooooood friends, after all.

We shopped for fabric, designed, cut and sewed together two lovely, traditional (in pattern only) table runners, but the pièce de résistance was left up to me – the altar decoration. 

I looked at tons and tons and tons of pictures of California and the rolling hills and lavender fields in California and even in France.  I printed out my favorites, cut them apart and pasted them back together again to make what I felt was an interesting, if not quite accurate, representation of the wedding venue.  And then I re-made it in fabric.  And the whole time I was sewing, I was singing … 

“If you’re going to san Francisco/Be sure the wear some flowers in your hair…”

I didn’t, by the way, wear flowers in my hair.  Feathers worked better with my dress.

Strictly speaking, this was not a holiday gift.  My dad’s birthday falls just a few days prior to Christmas and, because I understand how much it must suck to get a load of Christmas ‘n’ birthday combined gifts each year, I make a concerted effort to give him one gift for each. This year’s birthday gift was a pirate ship necktie.

Now, be honest, a necktie is kind of a lame gift. But a handmade necktie?  It kind of rocks. I used the Osman Tie pattern from burdastyle.com (http://www.burdastyle.com/patterns/osman-tie) – it is available in a PDF download for all of $2.  The most painful part of the whole process was taping the pattern together and then copying it out onto pattern paper. I do HIGHLY recommend this step, though. Pattern paper is much easier to deal with than taped together printer paper.

I used cotton, not tie silk; and to make matters “worse” it was quilter’s cotton – already relatively thick and stiff on its own. I also didn’t buy tie interlining, but used a piece of suiting that I had on hand  as suggested in the pattern instructions. The whole thing went together in the matter of an afternoon. I ended up leaving out the interlining all together – the quilter’s cotton was so thick it was unnecessary.

Just a couple lessons learned on this one: don’t just eyeball where the design is on the material. As you can see from my photo, I only ended up with one little pirate ship on the front of the tie because I thought I had it lined up correctly, but I didn’t check. Also, if and when I make this again, I’ll move the stay up a little — the skinny side of the tie is a little short to stay in my stay.

Welcome to the first in my series of holiday gift posts! I handed these cute little pouches out last night to our daycare providers during their holiday party.  I wish I could take credit for the design, but I can’t – they came from Quilting Arts Magazine special Gifts issue (2009/2010).  The pattern was designed by Margarete Steinhauer and appears on page 132 of the mag (almost all the way at the back).  The pouches are circular, drawstring, lined with coordinating fabrics, and contain 8 small pockets to store pieces of jewelry; or anything else that you might want to store. They fit perfectly in a gift box for a standard-sized mug.

Drafting a pattern from instructions in a magazine is always a little fiddly. I needed to be able to draw 4 different circle sizes and I do not have a compass; even if I did, I doubt I would have had one that would make a large enough circle for this tote.  Instead, I opted for my measurements to be a teeny bit off and ended up using a dinner plate for the outer circle, a largish mixing bowl for the drawstring channel, a pasta bowl for the inner/pocket circle and finally, a tiny mis en plase bowl for the base circle.  The bowls I used for my inner circle and my base circle were exactly right, the outer circle and drawstring channel were slightly off.  Luckily, this did not cause any problems with the final outcome.

Jewelry Pouch – inside
Originally uploaded by alyson_olander

I made seven of these little pouches; the first two as a prototype – once those were done, and I understood how the pattern was supposed to fit together and work, it was easy enough to throw together the other five via the Assembly Line method. I had all of the awesome matching fabrics on hand in my stash, and even the little bits of heavy interfacing needed for the base. The only thing I DID have to buy was the rat tail for the drawstrings. I am absolutely positive that I have a large spool of rat tail somewhere in my sewing room, but it beats me where I put it.  I did not buy enough rat tail so that the pouches will lie flat when opened – I didn’t think it was necessary and I didn’t like the idea that the drawstrings would be so long when the pouches were closed up tight. Overall, I think I would be happy to get one of these as a gift…I really hope the teachers are too!

Wind Moon

Hare Moon, Seed Moon, Moon of budding Trees,
Let fertile magic sprout within me,
Kali, Hathor, Ishtar, Bast,
This abundant, creative cycle now be cast.
-Dallas Jennifer Cobb

Living in the DC Metro area, there is one thing that you just cannot escape from in the early part of April – the Cherry Blossoms.  The delicate, ephemeral quality of these of these blooms attracts me…I don’t know what it is about ephemera, but I love it.  Maybe it’s just the sound of the word itself…I wrote a post a while back in my personal blog all about my love of ephemera…when I have a little time and some patience, I will sort through those posts and link to it here.  But anyway, I digress.  In early April this year, in the DC Metro area, when we were firmly in the grip of the Cherry Blossom frenzy, that is when the full moon fell.  Known as the Wind Moon or the Pink Moon it wasn’t just apropos that the idea for this quilt include cherry blossoms.  They are the herald of spring for us, after a very long spell of cold, dry, brown grass and barren trees and things stirring IN the Earth, but very little on the surface of the Earth that we can see.  The cherry blossoms are an explosion and a celebration of life after the winter has ended.

Wind Moon detail
Originally uploaded by alyson_olander

I quilted this piece with the swoops and swirls and spirals that you would see if wind were visible, then used thread painting techniques to create the tree branch that passes in front of the moon.  I clustered beads together on the branch as they would appear on an actual cherry tree and added swirls of beads flying from the tree as the flower petals get caught up in the wind.  The beads are a combination of small and large seed beads purchased from the craft store; and small & large Swarovski crystals and sequins, purchased from Accessories of Old in Bethesda, MD.