Strictly speaking, this was not a holiday gift.  My dad’s birthday falls just a few days prior to Christmas and, because I understand how much it must suck to get a load of Christmas ‘n’ birthday combined gifts each year, I make a concerted effort to give him one gift for each. This year’s birthday gift was a pirate ship necktie.

Now, be honest, a necktie is kind of a lame gift. But a handmade necktie?  It kind of rocks. I used the Osman Tie pattern from burdastyle.com (http://www.burdastyle.com/patterns/osman-tie) – it is available in a PDF download for all of $2.  The most painful part of the whole process was taping the pattern together and then copying it out onto pattern paper. I do HIGHLY recommend this step, though. Pattern paper is much easier to deal with than taped together printer paper.

I used cotton, not tie silk; and to make matters “worse” it was quilter’s cotton – already relatively thick and stiff on its own. I also didn’t buy tie interlining, but used a piece of suiting that I had on hand  as suggested in the pattern instructions. The whole thing went together in the matter of an afternoon. I ended up leaving out the interlining all together – the quilter’s cotton was so thick it was unnecessary.

Just a couple lessons learned on this one: don’t just eyeball where the design is on the material. As you can see from my photo, I only ended up with one little pirate ship on the front of the tie because I thought I had it lined up correctly, but I didn’t check. Also, if and when I make this again, I’ll move the stay up a little — the skinny side of the tie is a little short to stay in my stay.

Welcome to the first in my series of holiday gift posts! I handed these cute little pouches out last night to our daycare providers during their holiday party.  I wish I could take credit for the design, but I can’t – they came from Quilting Arts Magazine special Gifts issue (2009/2010).  The pattern was designed by Margarete Steinhauer and appears on page 132 of the mag (almost all the way at the back).  The pouches are circular, drawstring, lined with coordinating fabrics, and contain 8 small pockets to store pieces of jewelry; or anything else that you might want to store. They fit perfectly in a gift box for a standard-sized mug.

Drafting a pattern from instructions in a magazine is always a little fiddly. I needed to be able to draw 4 different circle sizes and I do not have a compass; even if I did, I doubt I would have had one that would make a large enough circle for this tote.  Instead, I opted for my measurements to be a teeny bit off and ended up using a dinner plate for the outer circle, a largish mixing bowl for the drawstring channel, a pasta bowl for the inner/pocket circle and finally, a tiny mis en plase bowl for the base circle.  The bowls I used for my inner circle and my base circle were exactly right, the outer circle and drawstring channel were slightly off.  Luckily, this did not cause any problems with the final outcome.

Jewelry Pouch – inside
Originally uploaded by alyson_olander

I made seven of these little pouches; the first two as a prototype – once those were done, and I understood how the pattern was supposed to fit together and work, it was easy enough to throw together the other five via the Assembly Line method. I had all of the awesome matching fabrics on hand in my stash, and even the little bits of heavy interfacing needed for the base. The only thing I DID have to buy was the rat tail for the drawstrings. I am absolutely positive that I have a large spool of rat tail somewhere in my sewing room, but it beats me where I put it.  I did not buy enough rat tail so that the pouches will lie flat when opened – I didn’t think it was necessary and I didn’t like the idea that the drawstrings would be so long when the pouches were closed up tight. Overall, I think I would be happy to get one of these as a gift…I really hope the teachers are too!

Wind Moon

Hare Moon, Seed Moon, Moon of budding Trees,
Let fertile magic sprout within me,
Kali, Hathor, Ishtar, Bast,
This abundant, creative cycle now be cast.
-Dallas Jennifer Cobb

Living in the DC Metro area, there is one thing that you just cannot escape from in the early part of April – the Cherry Blossoms.  The delicate, ephemeral quality of these of these blooms attracts me…I don’t know what it is about ephemera, but I love it.  Maybe it’s just the sound of the word itself…I wrote a post a while back in my personal blog all about my love of ephemera…when I have a little time and some patience, I will sort through those posts and link to it here.  But anyway, I digress.  In early April this year, in the DC Metro area, when we were firmly in the grip of the Cherry Blossom frenzy, that is when the full moon fell.  Known as the Wind Moon or the Pink Moon it wasn’t just apropos that the idea for this quilt include cherry blossoms.  They are the herald of spring for us, after a very long spell of cold, dry, brown grass and barren trees and things stirring IN the Earth, but very little on the surface of the Earth that we can see.  The cherry blossoms are an explosion and a celebration of life after the winter has ended.

Wind Moon detail
Originally uploaded by alyson_olander

I quilted this piece with the swoops and swirls and spirals that you would see if wind were visible, then used thread painting techniques to create the tree branch that passes in front of the moon.  I clustered beads together on the branch as they would appear on an actual cherry tree and added swirls of beads flying from the tree as the flower petals get caught up in the wind.  The beads are a combination of small and large seed beads purchased from the craft store; and small & large Swarovski crystals and sequins, purchased from Accessories of Old in Bethesda, MD.

They chose the piece that’s been around the block and back, the purple swirly journal quilt. I was serious about retiring it after this show, if I can. No other quilts seem to stand a chance against it.

Anyway, I have to admit, at first I was a little disappointed. The “reception” was some plates of cookies and bottles of water. My quilt was in a “gallery case” through another set of doors, along with 8 other pieces – the rest of the pieces were located in a separate but attached length of hallway that seemed to gather much more in the way of crowds. AND they spelled my name wrong, making it impossible for anyone to contact me if they wanted to.

But then things improved. A few of my co-workers showed up, then Bill, then some of the people I am friendly with and then some Important People Whom I Am Friendly With. And then I finally went and spoke to the guy who had done much of the work on the show, to ask him to take my picture with the quilt. He told me how much he loved my piece and that they really wanted to display 2 of them, but that they were trying to go with only one piece/person (they had 500+ piece to chose from and only 40+ places). And then he asked me if Lillian had contacted me because she really wanted me to do a PRIVATE SHOW. Like…a show, all to myself, at NIH. Um. *blinkblinkblink*

We are not holding our breath.

But it was really nice to hear.

It’s been a while since I posted. I’m so out of practice. I worked on this piece today. I know you can’t see much of it here, but it will be in Artomatic between May 29th-July 5th, so iffin you want to see it, you should come for a visit. Or, I will probably post a full pic when it’s done, so you could take that route as well.

Also, we made a pilgrimage to Ikea for Artomatic lighting and a myriad of other fun things. I want everything. In particular, a new kitchen; but also, everything.

The NIH Juried Art Show Starts tomorrow. My purple swirly quilt that’s already been everywhere is in that show. While I am very excited to be accepted to a juried art show, I have to admit to feeling disappointed that the other submissions were overlooked in favor of the purple swirly one. I think it’s getting retired after this show, I’m tired of looking at it.

Off to go work on some more stuff for Artomatic. I think it is possibly a bad idea for me to leave all of the hand-sewing till last…

Snow Moon, Cold Moon, Quiet Moon abide,
Let protection and strength grow inside,
Inanna, Sarasvati, Hera, and Sinn,
Sew new beginnings deep within.
—Dallas Jennifer Cobb

In my research about the Wolf Moon, this rite struck me as just perfect to begin my year long full moon journal quilting adventure.

The full moon on the night in question was shrouded in clouds, but the moon shown through, creating these amazing rings of color around herself. This is represented by both layers of fabric and of thread – 8 different fabrics and 4 different threads. The clouds seemed the carry the glow of the moon far beyond what we would normally see. Also, that night, the moon was huge, the largest we will see all year; as she passed on her closest path to the earth.

In years past, this was the time of year when families huddled together for safety and warmth, with wolves howling outside – it was the most difficult time of year, the winter was in full swing; food was beginning to run low; the wolves were particularly fierce in their own hunger.

Originally, I was planning to place a heart, to represent the family, swaddled and protected by the layers of the moon, but it seemed too trite in the end. I liked the starkness of this image, it leaves the story open for interpretation.

Take from it what you will.